At a running time of three hours and 21 minutes, Chantal Akerman's Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles (1975) was an audacious effort for a 25-year-old filmmaker -- and sufficiently daunting on practical grounds so that the movie wasn't seen in the USA in anything except 16mm prints for the first 33 years of its existence, until 2009. The multitalented filmmaker behind Sun Don’t Shine (now playing on the Criterion Channel) and She Dies Tomorrow shares a list of favorites that subvert narrative convention and dive into the mysteries of identity. That is no hyperbole. "Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles" is a cult film with good actings and direction. The recipient of extremely divisive takes at the time, Jeanne Dielman—now streaming on the Criterion Channel—has since been recognized as one of the most formative feminist films of the 20th century. The 1080p/24hz high-definition presentation comes from a new 2K restoration, which in turn was scanned in 4K from the original 35mm camera negative. Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles (The Criterion Collection) by Readable copy. Jeanne Dielman constitutes a radical experiment with being undramatic, and paradoxically with the absolute necessity of drama. The 1080p/24hz high-definition presentation comes from a new 2K restoration, which in turn was scanned in 4K from the original 35mm camera negative. Whether seen as an exacting character study or as one of cinema’s most hypnotic and complete depictions of space and time, JEANNE DIELMAN is an astonishing, compelling movie experiment, one that has been analyzed and argued over for decades. A Blu-ray edition was released by the Criterion Collection on … Chantal Akerman’s Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles receives a Blu-ray upgrade and is presented on a dual-layer disc in its original aspect ratio of 1.66:1. Her towering achievement, however, remains JEANNE DIELMAN, 23, QUAI DU COMMERCE, 1080 BRUXELLES, a domestic epic that has exerted an incalculable influence on the evolution of both feminist and avant-garde cinema. One of the boldest cinematic visionaries of the past quarter century, the film-school dropout Chantal Akerman took a profoundly personal and aesthetically idiosyncratic approach to the form, using it to investigate geography and identity, space and time, sexuality and religion. Read honest and unbiased product reviews from our … on Criterion Blu-ray. A singular work in film history, Chantal Akerman’s Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles meticulously details, with a sense of impending doom, the daily routine of a middle-aged widow, whose chores include making the beds, cooking dinner for her son, and turning the occasional trick. Cooking Video Contest. A singular work in film history, Chantal Akerman’s Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles meticulously details, with a sense of impending doom, the daily routine of a middle-aged widow (Delphine Seyrig)—whose chores include making the beds, cooking dinner for her son, and turning the occasional trick. Out now on DVD: http://www.criterion.com/films/302-jeanne-dielman-23-quai-du-commerce-1080-bruxelles For a movie with such a limited set, it's fascinating that Akerman has chosen such a wide aspect ratio. Chantal Akerman’s Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles receives a Blu-ray upgrade and is presented on a dual-layer disc in its original aspect ratio of 1.66:1. Influenced by the structural cinema she was exposed to when she came to New York from her native Belgium in 1970, at age twenty (work by artists like Michael Snow, Yvonne Rainer, and Andy Warhol), Akerman made her mark in the decade that followed, playing with long takes and formal repetition in her films, which include the architectural meditation Hotel Monterey (1972), the obsessive portrait of estrangement Je tu il elle (1975), the autobiographical New York elegy News from Home (1976), and the austere antiromance Les rendez-vous d’Anna (1978). Shop Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles [Criterion Collection] [Blu-ray] [1975] at Best Buy. Jeanne Dielman 23, Quai du Commerce 1080 Bruxelles was originally released on May 14, 1975. Pages may have considerable notes/highlighting. That is no hyperbole. The Criterion Collection presents Chantal Akerman’s Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles in its original aspect ratio of 1.66:1 on the first dual-layer disc of this two-disc set. An unflinching portrait of the mundanity of middle-aged womanhood, Jeanne Dielman was subversive from the start. Jeanne Dielman Cooking Video Contest. Get info about new releases, essays and interviews on the Current, Top 10 lists, and sales. Photo: Criterion At number 36, Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles (1975) is also the first film by a woman director, the late Chantal Akerman. Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles (1975) | The Criterion Collection. This interview with director Chantal Akerman was conducted in Paris in April 2009. An unflinching portrait of the mundanity of middle-aged womanhood, Jeanne Dielman was subversive from the start. Directed by Chantal Akerman. 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