users? The third button in this trio is marked Type, with the options of Old or New. The dynamic processing is handled by THAT Corporation chips, and there are four 2180 VCAs and one 2252 level detector per channel. Build quality is excellent, too. When used correctly, the API 250 has the ability to glue a mix together and really bring out a very polished and punchy sound. I am a satisfied customer. It adds just the right amount of punch to my drum tracks, and also sounds amazing on the backside of my Dangerous music 2-bus as a mix bus compressor. I am using it on the drum bus and it offers control, tone and saturation (if you want it) making drums pop and smack and thump like no other. All rights reserved. The New mode uses a feed‑forward technique based on sensing the input signal directly. Overall, I found the API 2500 to be a flexible, creative and capable tool with a very distinctive musical quality. But I can say, without hesitation, that purchasing the 2500 has increased my productivity, inspired me to use my gear more, and increased the quality of my recordings. Here is a review of our API 2500 mix bus compressor. Sweetwater Sound Overall. Apart from the one aspect of dubious build quality mentioned earlier, my only criticism would be that I would have preferred an automatic release‑time mode, instead of the continuously variable option which was presumably provided at the behest of API's loyal users. I remember when this was released it truly speaks for itself in the advancements UA … This website uses cookies to improve your experience. The modes are low‑pass, high‑pass, band‑pass and flat, and allow the user to minimise unwanted cross‑modulation between channels, for example because of a bass‑heavy instrument on one channel. They are available to offer you personalized product advice any time you need it. “ The API plugins are essential for me on bass sounds. if you like the waves plugin, this thing will blow you away! This is an amazing compressor with so much versatility. One of the 2500's notable qualities is its use of API's patented THRUST circuit for a chest-hitting, punchy bottom end. Get Directions | The IEC mains inlet is accompanied by a fuse and mains voltage selector. Overall the construction is to high standards, although I was disappointed initially that the lights used to indicate the metering status did not work. I am so inspired that I just ordered an API 5500 to boot. The Tone section contains three more buttons, two with traffic‑light LED arrays and the third with just a pair of LEDs. The views expressed are those of the contributors and not necessarily those of the publishers. The 19-inch, rack-mountable unit boasts a dual-channel design that can … , Distant City Studios - A Drum Room With A Difference, Mastering Essentials Part 6 - Final Delivery: Requirements & Specs. Superbly musical, however hard it is driven. For one, it's a stereo compressor. if you want to purchase your first stereo comp, you really cannot go wrong with this guy. While the API's UK price tag is hefty, its unique blend of characteristics certainly makes it worthy of short‑listing if you are looking for a master compressor at this price point. The right‑hand side of the front panel contains the power switch (with blue LED), a screwdriver trimmer to optimise the level balance (±2dB) between channels during compression, and a grey button to select the function of the neighbouring VU meters. Everything is clearly labelled, however, and the unit is very simple to use once you have grasped the operation of its somewhat unusual facilities. You cant mess it up. You can also call us toll free at (800) 222-4700, Mon-Thu 9-9, Fri 9-8, and Sat 9-7 Eastern. This piece has definitely taken my rack and my mixes to another level! Learn More. I did end up getting a hardware 2500 too, and it's phenomenal, but I don't the think Waves emulation is bad, at least not at lighter settings. Quality. Closest Store Langley, British Columbia. I even use the API for tracking, running any source through it (guitar, drums, vox) on the way in, to add a bit of color and warmth to the source. I figured the real version would be better. for drum buss compression, it has the punchiest sound ive ever heard. Most vintage … First of all there is a reason why waves made an emulation of this compressor. One of the 2500's notable qualities is its use of API's patented THRUST circuit for a chest-hitting, punchy bottom end. Re: Hammond XK-5 operational manual - Chapter 1: Multi-... Re: Sharing an experience with USB based mixer audio de... Re: Expert Sleepers Disting, opinions? No matter what I track through the API 2500: Piano; Guitars; Bass; Synths, it quite simply excels. I have other hardware compressor / limiters, but this one is the favorite. The outputs are transformer balanced and isolated. Automated Processes Incorporated (API) may not be particularly well known in the UK, but the company possesses an impressive reputation for its very high‑end studio equipment. Both buttons have LEDs to indicate their status. Read honest and unbiased product reviews from our users. I usually … I love the plugin version so much I had to get the hardware version! I mix mostly 'rock' genres, and this compressor glues my mixes together very nicely. Drum Overheads: At times I’ll use a Glyn Johns-style miking on drum overheads. Web site designed & maintained by PB Associates & SOS. However, it may prove of use with independent signals, where one may be used to control the dynamics of another — rather like gentle gating with an external key. Just listen to the body in those transients. The options here are Input, Output and Gain Reduction, the current mode being indicated by the three associated LEDs. Very happy with the purchase. ATI has been at the forefront of high‑performance audio manufacturing since 1988 and produces the Paragon live mixing console, and a range of audio processors based around proprietary high‑voltage preamp designs and a patented compressor circuit. OLD mode is gorgeous and very forgiving. The first and last are continuous rotary controls, while the other three are rotary switches. API 2500 Mixbus Compressor Review . The Old mode configures the system to use the traditional 'feed‑backwards' approach, where the amount of compression is determined by sensing the output level. Searching For a Vocal/Isolation Booth That Weighs No Mo... Trackball / Trackball mouse recommendations please. Immediately on the left of the meters are a group of controls which determine the operating condition of the unit. With its dual-channel design, the API 2500 is set up for stereo compression, but … The Waves Ltd. API 2500 Stereo Compressor is a plug-in emulation of the analog version of the API 2500, and is a very good one at that. Ratios can be selected from 1.5:1 up to 10:1 and Infinity, again in seven steps, while the Release control offers six preset times from 0.05S to 2S, with a Variable position which passes control on to the fifth knob. Expert Sleepers Disting, opinions? In addition to balanced audio I/O, there are also balanced side‑chain input jack sockets, rather than the more usual unbalanced TRS side‑chain insert points. The API 2500 is a versatile dynamics processor that lets you shape the punch and tone of mixes with absolute accuracy. It was my go-to comp for when I wanted to hear the compression. Whereas most compressors make do with a simple stereo‑linking switch, API have provided a button and a switched rotary control. A true studio workhorse, the API 2500 Stereo Buss Compressor is a classic unit found in most mixing and mastering studios. Closer inspection revealed that the LEDs were missing and, on removing the lid, I discovered that the small circuit board supporting the LEDs had broken free — it had been glued to the side of a potentiometer — and was rattling around inside! Store Hours, If you have any questions, please call us at (800) 222-4700. Sweetwater's Sales Engineers are regarded as the most experienced and knowledgeable professionals in the music industry, … Simply amazing! Changing the knee characteristics resulted in the expected 'softening' of the compression effect, but the Thrust control came as something of a surprise. I'm not sure quite why this facility is provided, as anything less than full linking between stereo channels will cause the stereo image to wander. Thank you for your request. Add a serious weight to the kick. The rotary switch provides six degrees of coupling between channels, marked from 50 to 100 percent, plus a fully independent (non‑linked) option. the api 2500 is a true classic. In the States, API started off in 1968 manufacturing audio broadcast and recording studio consoles, and many are still in daily use over thirty years later! I know this compressor has its own reputation that needs no further comments but I was truly amazed at even the most subtle of changes makes a significant musical expression. The automatic gain make‑up facility made it easy to compare different ratio and threshold settings without having to continually compensate for level changes. This feature borrows patented technology from parent company ATI, where the Thrust circuit has been employed for many years in the Paragon series of live sound consoles. To learn more about our cookie policy, please visit our Privacy Policy. I’ll precede this review of UA’s stab at the 2500 by noting that I haven’t done a mix in the last 5 or more years that wasn’t peppered with at least several instances of Waves’ API 2500… Very musical, and very versatile beyond a stereo bus. Great care has been taken to ensure accuracy in the preparation of this article but neither Sound On Sound Limited nor the publishers can be held responsible for its contents. A Sweetwater Sales Engineer will get back to you shortly. Review by Alex Hawley The API 2500 stereo compressor has staked its claim as a modern-day classic. The company has many significant technical milestones to its credit, including the first computerised console fader automation system (1973) leading on to the first programmable console with automation of EQ, aux sends, pans and faders (1974). The API 2500 is an incredibly flexible tool, and with knee set to Soft, Thrust set to Norm, and the Old feedback setting, it behaves very much like a classic bus compressor, with a low to … My reasoning for getting out of the box is that I find myself paralyzed by too many options via plug-ins. They may not be one of the best‑known manufacturers of pro‑audio equipment — at least not in the UK — but API are a very highly respected company. The 19-inch, rack-mountable unit boasts a dual-channel design that can … In 1991 API also produced the first console using touchscreen computer assignment for resetting switches across the console. This is my first stereo compressor. The interface of the software is quite realistic and … At the 6db boost the analog API 550A is a nice punchy sounding EQ that doesn't smear the transients and retains a nice vintage punch to the kick, it has a slightly different … The next button is labelled Thrust, and this controls a unique filter stage applied to the level sensing circuitry. Previously I was using a Chameleon Labs bus compressor. I still find the Waves API 2500 quite useful. This unit is built like a tank and one of the standards of the industry for a … Master bus compression is used both when mixing and mastering tracks, but with so many compressor options available in plugin form - including a host of classics such as the SSL Bus Compressor, API 2500 … It's like the plugin is 2D and the real thing is 3D. the thrust lets you totally control your drum sound and its almost impossible to not have an improvement after running it through this box... the sound of the transformers and op amps is just amazing. a little bit of fine tuning and the drums sound just massive. The API 2500 is fairly straightforward to use when you're familiar with its unusual facilities. This technology is used in many 'classic' compressors and has the benefit that the system operates in a closed loop, so its parameters can be tightly controlled. Happy customers, one piece of gear at a time! Edirol FA-66/ Firewire PCIe porblems - Please help!!! The third button (again with its own LED) disables the automatic gain make‑up circuitry provided by the unit and allows the adjacent rotary control to be used to manually correct the output level instead. its also quite amazing at mix buss compression, although i prefer an ssl type unit for that. No programme‑dependent release setting. This potentially allows the sensing circuit to respond more quickly, and is an approach used by most Dbx and SSL console compressors, for example. However, its popularity falls second only to its versatility – used by many engineers for tracking, the 2500 … In most part, this is due to the broad flexibility and depth of features, many of them unique to this 1U-height … I have been slowly acquiring gear for my home studio as it is my goal to get out of the box and more into the analog domain. The front panel looks, initially, to be quite 'busy', with its seven rotary controls, nine switches, 18 LEDs and two VU meters. I found it worked very well in a broad range of applications involving everything from brickwall protective limiting to gentle mastering compression. The blue, extruded aluminium sides provide rugged support for the base, front and rear panels. The three options are for no filtering at all (Norm), a 2dB/octave high‑pass filter (Med), or the full 4dB/oct slope (Loud). The 2500 is a staple and while im a bit late to getting this plugin its by far the closest to the gear out of any 2500 plugin. By offering both options, API have enabled the user to make a decision based on which provides the most musical result. Audio connections on the rear consist of XLRs for the inputs and outputs of both channels, plus TRS quarter‑inch sockets for balanced side‑chain inputs (rather than the more usual unbalanced side‑chain inserts). Phone Hours | API joined the ATI Group two years ago, a group which also owns Uptown Automation Systems, manufacturers of moving‑fader automation systems. I was never delighted with it's sound but it did do a good job of keeping the bass energy in a mix happening. Sharing an experience with USB based mixer audio device. The price is high but DEFINITELY worth it. The first button puts the compressor in circuit for both channels, while the second activates relays to engage a Bypass mode. The 1U rackmount unit occupies a rack depth of 250mm (not including connectors) and features a matt‑black front panel illuminated by a plethora of traffic‑light LEDs. The 550B has all the characteristics I need to push the low end and cut the high mids. In this video Michael shows us the API 2500 Compressor Plug-in from Waves in PreSonus Studio One 3. The closest home‑grown equivalent would probably be Focusrite, if that helps to position API in your mind. Since I own no other stereo compressor, I do own a 6176, it is difficult to give a fair comparison. Universal Audio : API 2500 Bus Compressor Plug-In Reviewed by Dave Cerminara The online audio community always cheers when Universal Audio announces a software update with new … Product Experience I own it. IT IS! The API 2500 is a stereo compressor that Waves has created. API : 2500 stereo buss compressor It's difficult to pigeonhole the API 2500 compressor for a specific purpose. In the API 2500 compressor, the system inserts a filter in the sensing circuit which, it is claimed, results in "a chest‑hitting low‑end punch" and "puts the mix in your face". In practice, both approaches have various technical advantages and disadvantages, but the point is that they sound different. In fact, it has found broad acceptance in mixing and mastering suites alike. Four plugins are included; three are based on classic API EQ modules, while the fourth emulates the 2500 stereo compressor, which was reviewed in its hardware incarnation in SOS October 2001 (endpoint29cc8e70.chios.panth.io/sos/Oct01/articles/api2500.asp). The button selects one of four filtering modes (indicated by a pair of LEDs) which modify the manner in which one channel affects the other. The Threshold can be set anywhere from +10dBu to ‑20dBu and has a red LED to show the onset of compression — handy if the meters are being used to show input or output levels rather than gain reduction. The 19" rack-mountable unit features API's patented "thrust" circuit for a chest-hitting, punchy bottom end. All contents copyright © SOS Publications Group and/or its licensors, 1985-2021. It's a beast. Firmly and unashamedly in the latter group is the API 2500, which is all about bus compression, either on the full stereo mix or a drum sub-mix. The API 2500 stereo compressor is my compressor of choice when it comes to my 2-buss mix. Now is the perfect time to get the gear you want with simple, promotional financing. Features. (4 reviews) Questions about the Waves API 2500 Plug-in? Internally, the unit is packed full of electronics, with a substantial linear power supply and two audio boards mounted one above the other. Its dual channel design lets the 2500 also function as … I have several pieces of API and the tone has never let me down. What we have here is a highly individual compressor which compares closely — from the financial point of view — with devices such as the Millennia Media TCL2 valve/solid‑state stereo compressor and the Avalon AD2044 stereo opto‑compressor. I just want to make a decision and move on. The API 2500 0 of 0 customers found this review helpful. A well‑specified stereo compressor with some unique attributes which make it unusually flexible. The first thing I did was pulled up a drum track and A/B'ed both the plugin and the real thing. In many ways the American equivalent of the classic SSL Buss compressor, the 2500 … I had the plug-in version (which is also pretty good) but the difference between the two, and the warmth and different tone options and features you can get from this!! The API 2500 bus Compressor under review here is primarily set up for stereo compression, though it may also be used to process unrelated signals, albeit with shared compression settings. 2 - The Tonelux TX5C - The Tonelux is cleverly designed compressor designed by Paul Wolff (who designed the legendary API 2500 compressor) in a 500 series that can also do feedback … With a long and interesting history (see 'The API Credentials' box later), the current product line up includes the legendary Legacy recording studio console, as well as several ranges of outboard equipment, including mic preamps, compressors, and equalisers. This system, far ahead of its time, was eventually known as Total Recall. With its fully discrete design features 4 VCAs per … Up to 24dB of make‑up gain is available. The right … Everything you love about Sweetwater in the palm of your hand. The contents of this article are subject to worldwide copyright protection and reproduction in whole or part, whether mechanical or electronic, is expressly forbidden without the prior written consent of the Publishers. Just this morning I used it on a mix, and saw no reason to send that track out of the box to the real 2500 … I can't quite explain the sound other than its THE sound that you hear on countless famous records. The ability to introduce filtering in the stereo‑linking side chain proved useful with some material, helping to minimise unnecessary gain modulation caused by strong off‑centre signals towards the top or bottom of the spectrum. The 2500 comp is all I ever use to compress … Dialing in the mix bus now makes it so much more interesting and sound more proffesional. With the API 2500 things sound very smooth and polished plus the sound retains that full bottom end sound we've worked so hard to achieve. You may login with either your assigned username or your e-mail address. great from rock to rnb to pop to house to dubstep or anything else. For now anyway…. Sweetwater's Sales Engineers are regarded as the most experienced and knowledgeable professionals in the music industry, with extensive music backgrounds and intense training on the latest products and technologies. Before I go off on what I don't like about the tonal characteristics of this unit, I will tell you what my ears absolutely like about the 2500 -. Value. Okay, so I use the waves API 2500 … Though the digital emulation comes close, this box will change the way you approach recording!! It certainly sounds very sweet and clean, with inaudible noise or distortion. Exclusive deals, delivered straight to your inbox. The API 2500 is a versatile … However, one trap to be aware of when using manual make‑up gain is that, in the feed‑backwards mode, the level sensing is derived from after the make‑up gain control. The API 2500 (API is short for Automated Processors Incorporated) is one of the most in-demand Stereo Bus Compressors in the world. I primarily use it as the finishing touch on the master buss before printing a mix. I haven't thrown anything at the 2500 that it can't handle. However, the danger with this system is that a high‑level transient could overload the gain‑controlling element before the sensing circuitry knows anything about it. Review Of Waves API 2500 Compressor Plug-in In this video Michael shows us the API 2500 Compressor Plug-in from Waves in PreSonus Studio One 3. At the fastest setting all transient life is squeezed from the programme, whereas the slowest setting retains transient dynamics almost untouched. I bought this compressor as the final link in my analog chain. api is top notch and a classic for a reason.. seriously its worth every cent. With high ratio and threshold settings the output level, naturally, is reduced, but increasing the make‑up gain results in even further compression. users? The UAD got the attitude and the overall sound right but switching to the real thing... there's so much more depth. It employs API's unique discrete op‑amp circuit building blocks within a fully balanced design in order to bestow a very high‑quality signal path, but it also provides a rather unusual collection of facilities. That just leaves us with the main Compressor control section to the extreme left of the panel, which contains all the usual controls: Threshold, Attack, Ratio, Release and Variable Release. 5501 U.S. Hwy 30 W, Fort Wayne, IN 46818 AMAZING piece. Find helpful customer reviews and review ratings for API 2500 at Amazon.com. It does all kinds of awesome stuff depending on what you're looking for. The Attack switch spans the range from an incredibly fast 0.03mS up to a very genteel 30mS in seven increments. What we think. At its Loud setting, the extra punch created was impressive and seemed to work very well with a wide variety of material, lifting the attack and weight of rhythm instruments in a totally different way to conventional EQ. One of the 2500's notable qualities is its use of API's patented THRUST circuit for a chest-hitting, punchy bottom end. The discrete op‑amp blocks are evident: 2510 modules handle the inputs and 2520s drive the outputs. My only experience with the 2500 was with the UAD version. The API 2500 bus Compressor under review here is primarily set up for stereo compression, though it may also be used to process unrelated signals, albeit with shared compression settings. Not impressive on a machine of this alleged pedigree. The 19-inch, rack-mountable unit boasts a dual-channel design that can … This control provides continuous adjustment of the recovery time from 0.05S to 3S and allows the user to modify the release time manually, in order to track the changing nature of the music. Famous for its unique tone-shaping capabilities, the 2500 has an all-discrete circuit … The first button is labelled Knee and offers three options (Hard, Medium or Soft), determining the transfer characteristic at the onset of compression. Left of the meters are a group of controls which determine the operating of. 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